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演員:未知
導演:莫森·瑪克瑪爾巴夫
劇情:Post September 11, Mohsen Makhmalbaf tracks the children who do not attend school in the border villages between Iran and Afghanistan with his digital camera and questions why they are not being educated. He finds girls studying in UNICEF classes in one region. One of the girls is not willing to come out of her burqa despite the fact that she has run away from Afghanistan and the Taliban are not present here. She is more afraid of the horrifying god that the Taliban have created more than the Taliban. The teacher tries… Director's commentary: The Taliban was not a political regime in Afghanistan but they are still a culture. Bombarding can ruin a political regime but it cannot change a culture. You cannot free a woman whom is imprisoned in the burqa with a rocket. The Afghan girl needs education. She doesn’t know that she doesn’t know. She is imprisoned but she does not know that she is a prisoner of poverty, ignorance, prejudice, male chauvinism and superstition. 95% of the women and 80% of the men in Afghanistan did not have the chance to attend school even before the Taliban. The film seeks the lost key to be able to open the lock of the cultural problems of Afghanistan. From the IMDB: In 2002 about 3 million Afghan Refugee were living in Iran. From those about 700,000 were Afghan Children who were not allowed to go to Iranian schools because of their illegal status in Iran. After this movie was made, this subject became controversial and finally the Iranian Majlis (Parliament) passed a bill in which the Afghani children were allowed to go to school and it resulted in 500,000 kids getting education.
演員:Mamhoud Chokrollahi Mahnour Shadzi Karl Maass Tenzin Chogyal Savitha Iyer
導演:莫森·瑪克瑪爾巴夫
劇情:影視詳情:                                                                      伊朗國寶級大師馬克馬巴夫重生“寓言”作品!                                                                      當你踩過這片大地,螞蟻的尖叫是生命最後的吶喊。                                                                      有神論者和無神論者墜入情網,婚後,他們背起行囊,帶著椅子,到印度蜜月旅行,尋找傳說中的放牛聖人。一路人,他們遇見用眼神停住火車的老者、把自己當成桌椅的少女、浴火重生的男人;當地人說,要見到聖人,必須成為謀殺者,踩著螞蟻屍體前進。種種奇遇顛覆過往知識與經驗,他們開始將行囊一件件丟下,最後連椅子都遺留在沙漠中。唯有蒙上雙眼、捂住耳朵,才能遇見心中渴求的真理,漫漫恆河前,愛情不過是絢麗幻影。                                                                      本片是伊朗國寶級大師馬克馬巴夫年過半百後,以“反智”之姿對世界回眸一望所粹取出的“生死寓言”。他用行囊代表人出生後背負的包袱,椅子代表個人在世界中的地位價值,當捨棄所有後,留下的會是最純淨的美麗?還是最赤裸的傷痛?這是一場探索心靈的印度遊記,也是追求生命真諦的恆河洗禮。和阿巴斯齊名的馬克馬巴夫,1996年創立‘馬克馬巴夫電影之家’,除了致力電影創作教學外,他們一家人都是優秀電影人才。以《蘋果》一片轟動坎城影展的女兒莎米拉更成為伊朗新一代電影導演代言人。馬克馬巴夫更希望電影之家能持續以獨特觀點創作充滿生命力的電影。                                                                      關於電影:                                                                      一個男人想在沙漠中和上帝對話,但當他開始演講時,沙漠中所有生物都因為他與上帝談話的方式受到驚嚇,逃之夭夭。這是馬克馬巴夫2005年拍攝的8分鐘短片《椅子》(The Chair)的劇情。《心靈印記》是馬克馬巴夫以此片為故事原型,用同樣的男女主角,在同樣的地點—印度—拍攝。除了延續哲學議題,片中更對上帝存在與否展開激辯;旅人將身上的‘包袱’以及隨身攜帶的‘椅子’由扛起到拋下的過程,更是馬克馬巴夫對生命本質的重新思考。                                                                      馬克馬巴夫曾表示,他熱愛印度,能夠在印度拍電影是他長達15年來的夢想,但迂腐的官僚體系卻讓他困難重重,雖有豐富的創作資歷,但為了得到拍攝許可,還是得準備一大堆紙本資料以應付政府的繁文縟節。在拍片過程中,他甚至自嘲,如果可以用一個空間就能把整部電影拍完,那印度絕對是拍電影的完美之地。
演員:Mirhadi Tayebi 莫森·瑪克瑪爾巴夫 Ammar Tafti
導演:莫森·瑪克瑪爾巴夫
劇情: 導演:馬克馬巴夫(伊朗) 電影的神奇在於能夠重建時間,尤如生命可以重來。 伊朗導演馬克馬巴夫年輕時是個激進分子,曾因襲擊並刺傷一個警察而被捕入獄,出獄之後,終放棄了政治理想,而把電影當成了信仰,就在他拍《電影萬歲》的時候,竟然發現當年他襲擊的警察也在一群試鏡者當中。後來,他就以他們二人的故事拍了這部《無知時刻》。 導演試圖重建當年自己製造的襲擊事件,並且邀請了另一位當事人--那位警察一起來完成這次重建:找來二位小演員,分別扮演年輕時的馬克馬巴夫和警察,馬克馬巴夫和警察分別去跟自己的扮演者講述當年自己的行為始末,然後拍攝行刺過程。當然導演也就不只是馬克馬巴夫,還有那個警察。事實上,他也的確一直在重建過程中表達他的願望和理想,開始是教他的扮演者給過來問他時間的女孩送盆花,後來又教他朝她開槍,而這二樣,都是他當年沒有做的。 還有一位人物,是馬克馬巴夫的表妹,馬克馬巴夫當年行刺的時候,以她去問那位警察時間做掩護,而警察卻始終不知道這情況,把當年那個總是來問他幾點的女孩當作心上人念念不忘,直到拍攝時他看到一個小女孩演員和馬克馬巴夫的扮演者一同走向自己的扮演者的時候才恍然大悟。 他感到被欺騙和傷害之後,自行篡改了歷史:他告訴自己的扮演者,不論是誰靠近和他說話,你就向她開槍,包括那位女孩。他也企圖在對過去的重建中表達他受傷害的憤怒,如果生命可以重來! 在重建的企圖下,導演的卻是一出巧妙的虛構,而正是這一虛構,把過去的故事轉換成了現在時態,也使得導演對於過去的反思顯得更有誠意。 紀錄片樣的拍攝手法,質樸而坦誠。電影開始的時候,馬克馬巴夫在試鏡找二個17歲的演員扮演他自己和那位警察,扮演他的那位說他的理想是拯救人類;而警察的扮演者卻一副老實巴交的樣子,警察十分不滿,拒絕出演,說導演如果改變主意就到哪裡哪裡去找他,憤然而去,攝影師問導演要不要把他追回來,而導演說,這個角色對他很重要,他會回來的。演員如同在生活般演戲,導演也如同生活般在拍電影:看,這是我的生活,也就是我的電影。 當警察在教他的扮演者應該怎麼送上盆花的時候,馬克馬巴夫表妹的扮演者剛好路過,問他幾點。躍然而出電影穿越時間的神奇,彷彿渾然天成的迴文詩。 二位導演的企圖最後都被幾個小演員給顛覆了:激進分子遞上的是大餅,警察掏出的是盆花,代替了匕首和手槍。
演員:Firouz Kiani 莎米拉·瑪克瑪爾巴夫 Mahshid Afsharzadeh Mohammad Reza Maleki
導演:莫森·瑪克瑪爾巴夫
劇情: 《騎單車的人》是由莫森·瑪克瑪爾巴夫執導的一部影片,該片講述在戰爭期間,許多阿富汗難民紛紛逃到伊朗,但他們每每演繹著悲慘的故事。 《騎單車的人》主人公就是這麼一個不幸的阿富汗難民,在伊朗,妻子病重,工作艱辛,備受歧視。為了攢錢治病,老實的男人想盡了一切辦法,他接下了一個聽起來很荒謬的活:騎單車表演,連續一個星期不能下車。主辦者是一個利慾薰心的老闆,為了牟利,他請來許多觀眾,把表演搞得聲勢浩大。於是小鎮所有人紛紛關注起這場表演,下注打賭,儼然在觀賞一場盛事……可憐的阿富汗男人在自行車上每天24小時不停的“表演”著,精疲力竭,但為了得到酬金仍然苦苦支撐,忍受著非人的痛苦。到了表演結束的第七天,他已經是一具行屍走肉。
演員:Abbas Sayah Shaghayeh Djodat Hossein Moharami
導演:莫森·瑪克瑪爾巴夫
劇情:我看過的最美的一部伊朗電影! 波斯繡毯世界聞名,一對老夫婦就擁有這麼一張繡毯,上面繡著人物圖案。當他們清洗繡毯時,從繡毯中奇異地走出一個姑娘,並講述了一個憂傷的故事:姑娘與一個騎手兩情相悅,他們的愛情卻遭到了家族的反對,姑娘父親甚至設置了種種障礙。在重重壓力下,他們依然苦苦堅持,姑娘家庭屬於遊牧民族,經常遷徙,痴情的騎手便緊緊尾隨在後面,陪伴著姑娘直到定居地點。安頓下來後,姑娘決定與騎手私奔,就在他們策馬狂奔出走的時候,發現他們蹤跡的人群緊緊追趕,並用槍結束了這對有情人的生命。原來這就是繡毯上的故事。
演員:未知
導演:莫森·瑪克瑪爾巴夫
劇情:An Iranian filmmaker and his son travel to Israel to investigate a religion that originated a hundred and seventy years ago. Youth from all over come to Haifa to join this religion, and those who serve in the gardens that surround the holy places develop peace-loving attitudes through their interactions with nature. The filmmaker shares with his son the idea that if the Iranian...
演員:莫森·瑪克瑪爾巴夫
導演:莫森·瑪克瑪爾巴夫
劇情:Post September 11, Mohsen Makhmalbaf tracks the children who do not attend school in the border villages between Iran and Afghanistan with his digital camera and questions why they are not being educated. He finds girls studying in UNICEF classes in one region. One of the girls is not willing to come out of her burqa despite the fact that she has run away from Afghanistan and the Taliban are not present here. She is more afraid of the horrifying god that the Taliban have created more than the Taliban. The teacher tries… Director's commentary: The Taliban was not a political regime in Afghanistan but they are still a culture. Bombarding can ruin a political regime but it cannot change a culture. You cannot free a woman whom is imprisoned in the burqa with a rocket. The Afghan girl needs education. She doesn’t know that she doesn’t know. She is imprisoned but she does not know that she is a prisoner of poverty, ignorance, prejudice, male chauvinism and superstition. 95% of the women and 80% of the men in Afghanistan did not have the chance to attend school even before the Taliban. The film seeks the lost key to be able to open the lock of the cultural problems of Afghanistan. From the IMDB: In 2002 about 3 million Afghan Refugee were living in Iran. From those about 700,000 were Afghan Children who were not allowed to go to Iranian schools because of their illegal status in Iran. After this movie was made, this subject became controversial and finally the Iranian Majlis (Parliament) passed a bill in which the Afghani children were allowed to go to school and it resulted in 500,000 kids getting education.